Monologue, Op. 31, No. 1


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T'filat shalom a prayer for peace for solo violin. Vocalise no. Fantasy in variation form. Dace Aperans Soliloque no 3 pour violon solo. Serge Arcuri Soliloques no. Soliloque no. Raynald Arseneault Svastika pour violon solo. Carol's piece. Edward Arteaga Contemplation II for solo violin. Eugene Astapov Monologue for violin solo. Maya Badian Big fiddle movement 4 of Big Pictures.

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Baker Carlebach variations. Milton Barnes Magic miniatures. Sonata for solo violin op. Jack Behrens Wallace Berry Reflections 1 for solo violin. Diane Berry Statements and connotations for solo violin. Tristium, concertant fantasie for viola and string orchestra, Op. String Quartet No. Chagall , Op. Divertimento for Wind Quintet, 5 parts, Op.

Small Chamber Music for Wind Quintet, 3 movts.

November 17, 2013

PA Couples for two flutes, 3 movts. The last work of Viktor Kalabis, PA. Trio for Violin Cello and Piano, Op. Ludus for piano quartet, Op. Score — Eds Sonata for cello and piano, 3 movts. Score — Schott, Record — Su Suite for clarinet and piano, 3 movts. Score — PA Sonata for violin and piano, 3 movts.

Fernando Sor, 24 Leçons Progressives, Op. 31, Nos. 1-12 - Michael Bemmels, Guitar

Record — Pa Sonata for viola and piano, 1 movt. Sonata for violin and harpsichord, 3 movts. Score — PA Dialogues, for violoncello and harpsichord, 4 movts. Duettina for violin and cello, 4 movts. Piano Sonata No. Score — Eds Three Polkas for piano, Op. Symphonic Fresco for organ Afresco sinfonico , Op. PA Rondo Drammatico for cello solo, Op. Schott French horn Invocation for French horn solo, Op. Schott, Eds. Cycle of songs for tenor and piano to folk poetry, OP.

Rilke for high voice and strings, Op. Rilke, Op. Songs for Little Children with piano, Op. Chronological Categories Op. Score — Eds Op. Record — Su Op. Score — Eds, Record — Su Op. Score — PA Op. Score- Eds, Record — Su Op. Score — Pa, Record — Pa Op. Score — Schott, Record — Su Op.

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Score: Zimmermann, Frankfurt am Main Op. Score — Pa Op. Score — Eds, Record — Pa Op. Score — Compusic Amsterdam Op. Record — Pa Op. PA Op. Schott Op. Schott, Eds Op. Compositions for Large Orchestra Symphony No. Instrumental Concertos Concerto for violoncello and orchestra, 3 movts. String Quartets String Quartet No. Small Suite for two bassoons, 3 movts. PA Ludus for piano quartet, Op. Capriccio for Two Violins and Piano Op. Duos with Harpsichord Sonata for violin and harpsichord, 3 movts.

Duos for Strings Duettina for violin and cello, 4 movts. Piano Compositions Piano Sonata No. Other works Op.


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The alleged citation of the choral to St. Wenceslas was very much used against this work and made further performances impossible. Now this remarkable work stands in the shadow of his later, much better known symphonies and symphonic works. Symphony Symphony No. The Caribbean crisis with humanity on the brink of atomic war, shook his as it shook all of the world.

In this work Kalabis for the first time consciously uses the quintola of repeated notes, which in his works is a symbol of death. One listened with tears in the eyes. How many contemporary works can produce this emotion? The formal conception of the Dramma is complex, with several culminations, the harmony in places almost spectral, then highly charged, stormy and aggressive and again humble and quiet. The trumpets keep warning, the end brings a small ray of light.

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Symphonic Music Symphonic Variations, Op. Neumann for the Czech Philharmonic Orchestra. The first variations see him from outside, then more and more the inside is revealed with all its complications and problems leading to tragedy. It is the ancient Greek Fatum. One of the few of my works where I could not find a catharsis. Composition for chamber orchestra Diptych for string orchestra, Op. Less tragic than other works. A study of new sonic possibilities of string ensemble.

String quartets String Quartet No. Bach offers a solution — the eternal, spiritual. Setting aside all inspirations by folklore or religious music, Kalabis in this work goes to the very core of Jewish soul. It is the sunny, human quality, the genuine purity of both his work and his person, which was at the core of my inspiration. Duos with harpsichord Sonata for violin and harpsichord, Op. Suk and Zuzana Ruzichova who requested it.

The work, though only 15 minutes long, is an important one, serious, meant to be played alongside with Bach and Handel, but without any baroque connatations. According to his wish it is a Divertimento in four parts, three fast, one slow, very colorful, sometimes motoric, sometimes considerably agitated and mainly in its finale written for a virtuoso player obvioulsy with Starker in mind. Piano quartet Ludus for piano quartet op.

It is written in one sole movement with short slow part in the middle. Instrumental concertos Concerto for violin and orchestra No. The Harpsichord Concerto, too, expresses this idea: the budding fragrance of he first movement, the foreboding of the second one, the temperamental lust for life in the first part of the Finale followed by a resigned, calm yet tragic ending.

Another, quite unique value of this concerto, a really pioneer undertaking, is giving the harpsichord a real, serious virtuoso part as in any piano concert since Beethoven, not trying to solve the discrepancy between its small sound by either using the concerto grosso technique or using it just as a color. It is so full of poignancy, of futile struggle between life and death, of alternating hope and despair one cannot but be deeply moved by it.

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Instrumental concertos Concerto for violoncello and orchestra, Op. Kalabis was allowed to accompany her. He acquired a statuette of Provencal folklore, a village tambour, slightly comical, a war veteran in unifrom, maybe an invalid, a cap with the inevitable tricolor over his mustached face. Kalabis remembered a similar figure in his childhood. Instrumental concertos Concerto for bassoon and wind instruments, Op.

Composition for wind instruments Incantation — Tredecet for 2 Fl.

Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1
Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1
Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1
Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1
Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1
Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1
Monologue, Op. 31, No. 1 Monologue, Op. 31, No. 1

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